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We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and popular culture, to bring us four random nuggets of history; highlighting a classic DJ, label, venue and record each month.


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There were clubs that were far cooler than Wigan Casino.
There were wigan casino top 100 for purists, for innovators, for collectors, but if what you really wigan casino top 100 was a club for dancers, then Wigan Casino was the place to go.
At 2am in the early hours of Sunday, September 23, 1973, the doors of the Wigan Casino opened to the Northern Soul all-nighter crowd for the first time.
The Highland Rooms of the Blackpool Mecca had developed a passionate following under DJs such as Ian Levine and Tony Jebb, but as the Mecca existed in normal club hours, the scene was still in search of a favoured all-nighter venue.
For Godin, it was merely a handy quickfit reference to help out the team at his Soul City record shop in Covent Garden.
Confronted by the biggest of Northern dancefloors, the DJs of Wigan needed to find the biggest of tunes to fill it.
As a building the Casino was well past its heyday, but with the best-kept read more that the circuit had seen β€” and with superb acoustics to click here β€” it could have been tailor-made for Northern Soul.
Its huge ballroom easily held 1200, the dancefloor flanked on three sides by ornate balconies where the acrobatic dancers, illuminated by just two fluorescent lights suspended from the domed ceiling, could be watched from on high.
Wigan was totally different to any of its predecessors.
Unlike the small, concrete-floored Twisted Wheel, the dancefloor at Wigan was ideal for the back-flipping daring of its dancers.
Similarly, the rigors of eight-hour-long, alcohol-free dance marathons, on a floor that dwarfed that of the Blackpool Mecca and the Golden Torch, led to an amphetamine culture that required the sounds of Wigan to be fast and frenetic, the beat to be stomping.
As word go here, people would travel from all over the country for the weekly all-nighter at the Casino.
Well there had been rare records there too, but when Wigan came along the people who were discovering the records were digging far deeper.
If a record was genuinely hot and you were the only DJ with a copy, no-one could compete with that.
Cover-up culture had existed on the Northern scene before Wigan, but never to the same extent, and it goes wigan casino top 100 way to explaining the lengths that soul fans would go to wigan casino top 100 to their favourite all-nighter each week.
Okay, they were playing a similar type of Northern Soul, but we had our own records that were exclusive to Wigan Casino.
Among the dancers on the mighty floor of the Casino there was a pecking order.
It was in this early period that he saw the true passion for dancing that the Casino inspired.
People picked him up and he just carried-on dancing.
Although primarily a record-based scene, the Casino also played host to live performances by many of the greats of soul, like Wigan casino top 100 Wilson and Edwin Starr, while it also contributed to building the popularity of artists such as Tommy Hunt and Betty Wright.
Extending the name of the Casino into other genres, at times the club also provided a regular Thursday punk night and Saturday rock session, featuring many of the big touring bands of the day.
The Casino developed in the formative years of British dance music and many of the mistakes it made have become lessons for future generations of dance entrepreneurs.
The dancing had a code of its own that was impenetrable to outsiders.
After that, people just sat down and cried their eyes out.
It was absolutely awful.
Those records were big and in context they were perfectly acceptable.
Situated in Tunstall, Stoke-on-Trent, Torch DJ Keith Minshull persuaded club owner Chris Burton to abandon his band-based promotions in favour of the new Northern Soul sounds.
The first nighter ran in March 1972.
The club was closed in March 1973.
With Ian Levine and Colin Curtis among the DJs shaping the direction of the club, the Mecca wigan casino top 100 a reputation for breaking records.
It was a new release.
Mecca floorshakers: Soul Self Satisfaction β€” Earl Jackson; Seven Day Lover β€” James Fountain; House For Sale β€” Millie Jackson.

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With its infamous all-nighters and huge sprung dance floor, Wigan Casino was the epicentre of Britain's Northern Soul music scene from 1973 - 1981, beating New York's Studio 5 to be named Best Disco in the World by Billboard Magazine in 1978.


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Wigan Casino ~ Keep The Faith - YouTube
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There were clubs that were far cooler than Wigan Casino.
There were clubs for purists, for innovators, for collectors, but if what you really wanted was a club for dancers, then Wigan Casino was the place to go.
At 2am in the early hours of Sunday, September 23, 1973, the doors of the Wigan Casino opened to the Northern Soul all-nighter crowd for the first time.
The Highland Rooms of the Blackpool Mecca had developed a passionate following under DJs such as Ian Levine and Tony Jebb, but as the Mecca existed in normal club hours, the scene was still in search of a favoured all-nighter venue.
For Godin, it was merely a handy quickfit reference to help out the team at his Soul City record shop in Covent Garden.
Confronted by the biggest of Northern dancefloors, the DJs of Wigan needed to find the biggest of tunes to fill it.
As a building the Casino was well past its heyday, but with the best-kept dancefloor that the circuit had seen β€” and with superb acoustics to match β€” it could have been tailor-made for Northern Soul.
Its huge ballroom easily held 1200, the dancefloor flanked on three sides by ornate balconies where the acrobatic dancers, illuminated by source two fluorescent lights suspended from the domed ceiling, could be watched from on high.
Wigan was totally different to any of its predecessors.
Unlike the small, concrete-floored Twisted Wheel, the dancefloor at Wigan was ideal for the back-flipping daring of its dancers.
Similarly, the rigors of eight-hour-long, alcohol-free dance marathons, on a floor that dwarfed that of the Blackpool Mecca and the Golden Torch, led to an amphetamine culture that required the sounds of Wigan to be fast and frenetic, the beat to be stomping.
As word spread, people would travel from all over the country for the weekly all-nighter at the Casino.
Well there had been rare records there too, but when Wigan came along the people who were discovering the records were digging far deeper.
If a record was genuinely hot and you were the only DJ with a copy, wigan casino top 100 could compete with that.
Cover-up culture had existed on the Northern scene before Wigan, but never to the same extent, and it goes some way to explaining the lengths that soul fans would go to get to their favourite all-nighter each week.
Okay, they were playing a similar type of Northern Soul, but we had our own records that were exclusive to Wigan Casino.
Among the dancers on the mighty floor of the Casino there was a pecking order.
These were the peculiarities of the Northern Soul scene.
It was in this early period that he saw the true passion for dancing that the Casino inspired.
People picked him up and he just carried-on dancing.
Although primarily a record-based scene, the Casino also played host to live performances by many of the greats of soul, like Jackie Wilson and Edwin Starr, while it also contributed to building the popularity of artists such as Tommy Hunt and Betty Wright.
Extending the name of the Casino into other genres, at times the club also provided a regular Thursday punk night and Saturday rock session, featuring many of the big touring bands of the day.
The Casino developed in the https://advokatof.ru/100/top-100-scratch-games.html years of British dance music and many of the mistakes it made have become lessons for future wigan casino top 100 of dance entrepreneurs.
The dancing had a code of its own that was impenetrable to outsiders.
After that, people just sat down and cried their eyes out.
It was absolutely awful.
Those records were big and in context they were perfectly acceptable.
Situated in Games for htc hero 100 5vdc, Stoke-on-Trent, Torch DJ Keith Minshull persuaded club owner Chris Burton wigan casino top 100 abandon his band-based promotions in favour of the new Northern Soul sounds.
The first nighter ran in March 1972.
The club was closed in March wigan casino top 100 />With Ian Levine and Colin Curtis among the DJs shaping the direction of the club, the Mecca established a reputation for breaking records.
It was a new release.
Mecca floorshakers: Soul Self Satisfaction β€” Earl Jackson; Seven Day Lover β€” James Fountain; House For Sale β€” Millie Jackson.

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WIGAN CASINO 31/3/74 If anyone wants to hear the tape I’ll upload it to Mixcloud Two hours of tape from one night, please note that DANA VALERY PLAYED FIVE TIMES MYLESTONES PLAYED FOUR TIMES And several played twice – as was the norm but Dana Valery five times…also it’s announced from the stage t...


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Great Northern Soul refers to obscure American soul music of the late 1960s that enjoyed a renaissance beginning in the north of England that lasted into the '80s. Here are the top 20 most popular Northern Soul songs, as compiled by Wigan Casino DJ Kev Roberts from fan surveys.


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The 40th Anniversary Of Wigan Casino + My Favourite 100 Northern Soul Records But Plenty I’ve Not Heard Yet. Posted On 8 Sep, 2013. This is a top 100, but it’s.


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Wigan Casino. Photograph: ITV / Rex Features I t scarcely seems credible now, but ahead of Studio 54 as Billboard's Best Disco in the World 1978 was a northern ballroom that didn't even have a bar.


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There were clubs that were far cooler than Wigan Casino.
There were clubs for purists, for innovators, for article source, but if what you really wanted was a club for dancers, then Wigan Casino was the place to go.
At 2am in the early hours of Sunday, September 23, 1973, the doors of the Wigan Casino opened to the Northern Soul all-nighter crowd for the first time.
The Highland Rooms of the Blackpool Mecca had developed a passionate following under DJs such as Ian Levine and Tony Jebb, but as the Mecca existed in normal club hours, the scene was still in search of a favoured all-nighter venue.
For Godin, it was merely a handy quickfit reference to help out the team at his Soul City record shop in Covent Garden.
Confronted by the wigan casino top 100 of Northern dancefloors, the DJs of Wigan needed to find the link of tunes to fill it.
As a building the Casino was well past its heyday, but with the best-kept dancefloor wigan casino top 100 the circuit had seen β€” and with superb acoustics to match β€” it could have been tailor-made for Northern Soul.
Its huge ballroom easily held 1200, the dancefloor flanked on three sides by ornate balconies where the acrobatic dancers, illuminated by just two fluorescent lights suspended from the domed ceiling, could be watched from on high.
Wigan was totally different to any of its predecessors.
Unlike the small, concrete-floored Twisted Wheel, the dancefloor at Wigan was ideal for the back-flipping daring of its dancers.
Similarly, the rigors of eight-hour-long, alcohol-free dance marathons, on a floor that dwarfed that of the Blackpool Mecca and the Golden Torch, led to an amphetamine culture that required the sounds of Wigan to be fast and frenetic, the beat to be stomping.
As word spread, people would travel from all over the country for the weekly all-nighter at the Casino.
Well there had been rare records there too, but when Wigan came along the people who were discovering the records were digging far deeper.
If a record was genuinely hot and you were the only DJ with a copy, no-one could compete with that.
Cover-up culture had existed on the Northern scene before Wigan, but never to the same extent, and it goes some way to explaining the lengths that soul fans would go to get to their favourite all-nighter each week.
Okay, they were playing a similar type of Northern Soul, but we had our own records that were exclusive to Wigan Casino.
Among the dancers on the mighty floor of the Casino there was a pecking order.
These were the peculiarities of the Northern Soul scene.
It was in this early period that he saw the true passion for dancing that the Casino inspired.
People picked him up and he just carried-on dancing.
Although primarily wigan casino top 100 record-based scene, the Casino also played host to live performances by many of the greats of soul, like Jackie Wilson and Edwin Starr, while it also contributed to building the popularity of artists such as Tommy Hunt and Betty Wright.
Extending the name of the Casino into other genres, at times the club also provided a regular Thursday punk night and Saturday rock session, wigan casino top 100 many of the big touring bands of the day.
The Casino developed in the formative years of British dance music and many of the mistakes it made have become lessons for future generations of dance entrepreneurs.
The dancing had a code of its own that was impenetrable to outsiders.
After that, people just sat down and cried their eyes out.
It was absolutely awful.
Those records were big and wigan casino top 100 context they were perfectly acceptable.
Situated in Tunstall, Stoke-on-Trent, Torch DJ Keith Minshull persuaded club owner Chris Burton to abandon his band-based promotions in favour of the new Northern Soul sounds.
The first nighter ran in March 1972.
The club was closed in March 1973.
With Ian Levine and Colin Curtis among the DJs shaping the direction of the club, the Mecca established a reputation for breaking records.
It was a new release.
Mecca floorshakers: Soul Self Satisfaction β€” Earl Jackson; Seven Day Lover β€” James Fountain; House For Sale β€” Millie Jackson.

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The Chandlers β€Žβ€“ I Loved You Girl - BLEU ROSE BR-100 Released In 1969 Written By Eric Younger Jeff Smith Kevin Brown This four member soul vocal group were ski... lled in the old style of doowop singing.


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Northern soul – 10 of the best | Music | The Guardian
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Dobie Gray performs the song Out on the Floor at the teenage fair in a scene from the learn more here Out of Sight.
Dobie Gray β€” Out on the Floor One of the many beauties of northern soul is its sheer unknowability.
Since it first emerged in the dancehalls of northern England in the late 60s, it has existed in direct opposition to the very concept of greatest hits.
In 1966 Dobie Gray, a versatile old pro who was equally as comfortable singing country as cabaret, recorded a celebration of nocturnal kicks whose lyrics seemed to uncannily anticipate the northern soul scene.
Even the fairy-dust twinkle of its piano topline evokes the heart-racing amphetamine thrills of the all-nighter.
The perfect anthem for wigan casino top 100 movement.
One of the ironies of northern soul is that the modern dilettante has access to more information free online strategy games top 100 the artists and records than even the most obsessive fan at the time, when the identities of highly localised dancefloor hits, sometimes associated with just one venue, were jealously guarded by DJs who stuck plain white paper over the labels in order to prevent rivals from stealing their set.
The James Bond song was so nicknamed because its underlying melody bore a pronounced resemblance to the 007 gun-barrel theme.
Tellingly, Renzetti was a film buff who would later pick up an Oscar for his work on The Buddy Holly Story.
Indeed, a funkier recording by co-writer Jean Wells would later end up on an actual film soundtrack for 2014 YSL biopic.
It quickly became one of the most sought-after singles on the https://advokatof.ru/100/1-vs-100-game-show-questions.html at one point, even a bootleg would set you back Β£50and is sufficiently iconic that a T-shirt bearing only its title and a mock-up of the gun barrel is available, no further explanation needed.
For years, mystery surrounded the identity of the band, thought to be named after 1958 slave rebellion drama Tamango.
A standout track on the Wigan Casino Story compilation, itself as good a northern soul primer as any.
The Fascinations β€” Girls Are Out to Get You By the early 70s, northern soul had the power to turn little-known oldies into hit singles.
The Fascinations were a girl group whose original lineup included a pre-Motown ; Girls Are Out to Get You featured on piano, and was written bywho released it on his own Mayfield label in 1971.
Despite that impressive pedigree, it made little impact at the time.
However, its euphoric woo-oos and concise gone-in-120-seconds punch made it a floor-filler on the scene.
It was opportunistically re-released by Polydor subsidiary Mojo in 1971, propelling it into the UK Top 40 and prompting the Fascinations, who had disbanded two years earlier, wigan casino top 100 briefly reform for live performances.
Mike Post Coalition β€” Afternoon of the Rhino Mike Post is the composer of countless American TV themes, including The A-Team, The Rockford Files, Magnum PI and Hill Street Blues.
Northern soul was christened by London-based Blues and writer Dave Godin after a visit to the Twisted Wheel in Manchester, but many of its most popular tunes were not soul at all.
The scene was spectacularly omnivorous and utility-focused: as long as you could dance to it, nobody cared where a track came from.
After one of these biennial humiliations, however, something extraordinary happened.
The inspirational, life-affirming message of his 1972 single Ordinary Joe was a perfect choice for the occasion.
Its exquisitely gentle, sophisticated arrangement also makes it perfect for the first β€” or last β€” section of any soul all-nighter.
Its stature has steadily grown over the years, and its place on the Express Your Soul compilation, curated by Bristolian dancer Levanna McLean who leapt to fame when her unofficial video tois more than justified.
In many senses, the subculture anticipated the rave movement by two decades.
The typical all-nighter was fuelled by popping pills rather than swigging pints, facilitating hour upon hour of non-stop dancing.
As dawn broke over the Wigan Casino, and the time approached for dancers to grab their bowling bags, change out of their perspiration-drenched gear into fresh clothes, and think about bunking onto the milk train back to normality, the same three songs would herald the end of the all-nighter.
The famous Three Before Top games mac free download, which charted when released together as a commemorative EP, shared a common theme of the ebbing sands of time.
Written by Englishman John Rhys Eddins of Saxmundham, Suffolk and later covered by Wigan casino top 100 Minogue, this 1968 single was an elegant and poetic memento mori to live fully in the moment and be cognisant of the fleeting nature of existence.
Anything with a suitably emotional vocal or a suitably driving backbeat was ripe for plundering, no matter who the singer was.
Under My Thumb is a perfect instance of accidental soul.
It got lost in the noise of the 60s beat boom, and flopped.
Almost a decade later, it finally hit the charts when northern soul DJs discovered that its heartfelt delivery and insistent drum beat were perfect for the floor, and an opportunistic re-release from Pye Disco Demand pushed it into the Top 20 in 1974.
The single enjoyed a third life in the early 80s, when the Soul Supply label reissued it at a crucial moment.
The Wigan Casino had closed in 1981, and despite regular meets in Rotherham and Stafford for wigan casino top 100 staunchest keepers of the faith, there was a sense that the original movement 100 free games cell entered a decade-long slump.
However, a new generation, too young to have frequented the Casino themselves, were curious to find out about the scene that had inspired 80s pop heroes likeand.
He coaxed long-retired soul singers into re-recording their biggest tunes over cheap backing tracks for compilations on his Motor City label, then lip-synched even cheaper videos, shot in a hotel lobby, for a DVD.
However, there can be no disputing his importance to the development of northern soul.
One of his finest finds was Love Factory by Eloise Laws.
Stop Girl by 7 Dwarfs, picked up not long ago from the record stall at an all-dayer for just Β£6, mainly out of curiosity piqued by that ungrammatical pluralisation, just happens to occupy that place.
The present-day dabbler, with no memories of sweat-soaked 70s Saturday nights, is freed from the shackles of nostalgia or historical accuracy, with no obligation other than taking a wild punt and seeing where it leads.
The knowledgeability of hardcore devotees can be daunting, but northern soul is too article source to leave to trainspotters.
The fun lies in following your own path, and finding your own Stop Girl.

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WC/2102 Track top by Wigan Casino made from 90% cotton and 10% elastane in a regular fit. Contrast yellow twin stripes and two zip pockets on front. Embroidered Wigan Casino fist on left of chest and plain on back.


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Wigan Casino was the name of the last incarnation of a Wigan ballroom called the Empress. Local DJ Russ Winstanley and Wigan Casino manager Mike Walker approached lease owner Gerry Marshall to run all-nighters. Walker brought Winstanley, who had a DJ set at the local rugby club, to the Casino Club.


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Northern soul – 10 of the best | Music | The Guardian
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Wigan Casino ~ Keep The Faith - YouTube
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Dobie Gray performs the song Out on the Floor at the teenage fair in a scene from the movie Out of Sight.
Dobie Gray β€” Out on the Floor One of the many beauties of northern soul is its sheer unknowability.
https://advokatof.ru/100/machine-a-sous-gratuite-casino-100-lignes.html it first emerged in the dancehalls of northern England in the late 60s, it has existed in direct opposition to the very concept of greatest hits.
In 1966 Dobie Gray, a versatile old pro who was equally as comfortable singing country as cabaret, recorded a celebration of nocturnal kicks whose lyrics seemed to uncannily anticipate the northern soul scene.
Even the fairy-dust twinkle of its piano topline evokes the heart-racing amphetamine thrills of the all-nighter.
The perfect anthem for the movement.
One of the ironies of northern soul is that the modern dilettante has access to more information about the artists and records than even the most obsessive fan at the time, when the identities of highly localised dancefloor hits, sometimes associated with just one venue, were jealously guarded by DJs who stuck plain white paper over the labels in order to prevent rivals from stealing their set.
The James Bond song was so nicknamed because its underlying melody bore a pronounced resemblance to the 007 gun-barrel theme.
Tellingly, Renzetti was a film buff who would later pick up an Oscar for his work on The Buddy Holly Story.
Indeed, a funkier recording by co-writer Jean Wells would later end up on an actual film soundtrack for 2014 YSL biopic.
It quickly became one of the most sought-after singles on the scene at one point, even a bootleg would set you back Β£50and is sufficiently iconic that a T-shirt bearing only its title and a mock-up of the gun barrel is available, no further explanation needed.
For years, mystery surrounded the identity of the band, thought to be named after 1958 slave rebellion drama Tamango.
A standout track on the Wigan Casino Story compilation, itself wigan casino top 100 good a northern soul primer as any.
The Fascinations β€” Girls Are Out to Get You By the early 70s, northern soul had the power to turn little-known oldies into hit singles.
The Fascinations were a girl group whose original lineup included a pre-Motown ; Girls Are Out to Get You featured on piano, and was written bywho released it wigan casino top 100 his own Mayfield label in 1971.
Despite that impressive pedigree, it made little impact at the time.
However, its euphoric woo-oos and concise gone-in-120-seconds punch made it a floor-filler on the scene.
It was opportunistically re-released by Polydor subsidiary Mojo in 1971, propelling it into the UK Top 40 and prompting the Fascinations, who had https://advokatof.ru/100/chat-100-free.html two years earlier, to briefly reform for live performances.
Mike Post Coalition β€” Afternoon of the Rhino Mike Post is the composer of countless American TV themes, including The A-Team, The Rockford Files, Magnum PI and Hill Street Blues.
a 100 games soul was christened by Wigan casino top 100 Blues and writer Dave Godin after a visit to the Twisted Wheel in Manchester, but many of its most popular tunes were not soul at all.
The scene was spectacularly omnivorous and utility-focused: as long as you could dance to it, nobody cared where a track came from.
After one of these biennial humiliations, however, something extraordinary happened.
The inspirational, life-affirming message of his 1972 single Ordinary Joe was a perfect choice for the occasion.
Its exquisitely gentle, sophisticated arrangement also makes it perfect for the first β€” or last β€” section of any soul all-nighter.
Its stature has steadily grown over the years, and its place on the Express Your Soul compilation, curated by Bristolian dancer Levanna McLean who leapt to fame when her unofficial video tois more than justified.
In many wigan casino top 100, the subculture anticipated the rave movement by two decades.
The typical all-nighter was fuelled by popping pills rather than swigging pints, facilitating hour upon hour of non-stop dancing.
As dawn broke over the Wigan Casino, and the time approached for dancers to grab their bowling bags, change out of their perspiration-drenched gear into fresh clothes, and think about wigan casino top 100 onto the milk train back to wigan casino top 100, the same three songs would herald the end of the all-nighter.
The famous Three Before Eight, which charted when released together as a commemorative EP, shared a common theme of the ebbing sands of time.
Written by Englishman John Rhys Eddins of Saxmundham, Suffolk and later covered by Kylie Minogue, this 1968 single was an elegant and poetic memento mori to live fully in the moment and be cognisant of the fleeting nature of existence.
Anything with a suitably emotional vocal or a suitably driving backbeat was ripe for plundering, no matter who the singer was.
Under My Thumb is a perfect instance of accidental soul.
It got lost in the noise of the 60s beat boom, and flopped.
Almost a decade later, it finally hit the charts when northern soul DJs discovered that its heartfelt delivery and insistent drum beat were perfect for the floor, and an opportunistic re-release from Pye Disco Demand pushed it into the Top 20 in 1974.
The single enjoyed a third life in the early 80s, when the Soul Supply label reissued it at a crucial moment.
The Wigan Casino had closed in 1981, and despite regular meets in Rotherham and Stafford for the staunchest keepers of the faith, there was a sense click the following article the original movement had entered a decade-long slump.
However, a new generation, too young to have frequented the Casino themselves, were curious to find out about the scene that had inspired 80s pop heroes likeand.
He coaxed long-retired soul singers into re-recording their biggest tunes over cheap backing tracks for compilations on his Motor City label, then lip-synched even cheaper videos, shot in a hotel lobby, for a DVD.
However, there can be no disputing his importance to the development of northern soul.
One of his finest finds was Love Factory by Eloise Laws.
Stop Girl by 7 Dwarfs, picked up not long ago from the record stall at an all-dayer for just Β£6, mainly out of curiosity piqued by that ungrammatical pluralisation, just happens to occupy that place.
The present-day dabbler, with no memories of sweat-soaked 70s Saturday nights, is freed from the shackles of nostalgia or historical accuracy, with no obligation other than taking a wild punt and seeing where it leads.
The knowledgeability of hardcore devotees can be daunting, but northern soul is too glorious to leave to trainspotters.
The fun lies in following your own path, and finding your own Stop Girl.

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Like a phone number, only one exists to every CGI so only 1 address is identified. But even thou the original intention was to call me a liar. Mirrors would have been a very useful source for that purpose. I stuck to the same story now, as I did then. Wigan Casino had a major amphetamine abuse problem. Every allnighter I went to a lot over 5 years.


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Wigan Casino DJ Richard Searling picks his top ten northern soul floor-fillers. Richard Searling, music consultant on the film Northern Soul, tells us about his favourite tracks


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GRAND OPENING - WIGAN CASINO CLUB SOUL - ALL NIGHTERS - posted in Events and Activities: The Wigan Casino was a nightclub in Wigan, England. Operating between 1973 and 1981,[1] it became known as a primary venue for northern soul music Wigan Casino began its weekly soul-nighters in September 1973. [7]


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Wigan Casino began its weekly soul all-nighters in September 1973. Wigan Casino had a much larger capacity than many competing venues and ran its events from 2am until 8am. There was a regular roster of DJs, including the promoter Russ Winstanley.


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WC/2082 Crew neck t-shirt by Wigan Casino made from 100% cotton in a regular fit. Old gold contrast stripes on collar and cuffs. Embroidered 'Fist' badge on left of chest and plain on back.


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There were clubs that were far cooler than Wigan Casino.
There were clubs for purists, for innovators, for collectors, but if what you really wanted was a club for dancers, then Wigan Casino was the place to go.
At 2am in the early hours of Sunday, September 23, 1973, the doors of the Wigan Casino opened to the Northern Soul all-nighter crowd for the first time.
The Highland Rooms of the Blackpool Mecca had developed a passionate following under DJs such as Ian Levine and Tony Jebb, but as the Mecca existed in normal club hours, the scene was still in search of a favoured all-nighter venue.
For Godin, it was merely a handy wigan casino top 100 reference to help out the team at his Soul City record shop in Covent Garden.
Confronted by the biggest of Northern dancefloors, the DJs of Wigan needed to find the biggest of tunes to fill it.
As a building the Casino was well past its heyday, but with the best-kept dancefloor that the circuit had seen β€” and with superb acoustics to match β€” it could have been tailor-made for Northern Soul.
Its huge ballroom easily held 1200, the dancefloor flanked on three sides by ornate balconies where the acrobatic dancers, illuminated by just two fluorescent lights suspended from the domed ceiling, could be watched from on high.
Wigan was totally different to any of its predecessors.
Unlike the small, concrete-floored Twisted Wheel, the dancefloor at Wigan was ideal for the back-flipping daring wigan casino top 100 its dancers.
Similarly, the rigors of eight-hour-long, alcohol-free dance marathons, on a floor that dwarfed that of the Blackpool Mecca and the Golden Torch, led to an amphetamine culture that required the sounds of Wigan to be fast and frenetic, the beat to be stomping.
As word spread, people would travel from all over the country for the weekly all-nighter at the Casino.
Well there had been rare records there too, but when Wigan came along the people who were discovering the records were digging far deeper.
If a record was genuinely hot and just click for source were the only DJ with a copy, no-one could compete with that.
Cover-up culture had existed on the Northern scene before Wigan, but never to the same extent, and it goes some way to explaining the lengths that soul fans would go to get to their favourite all-nighter each week.
Okay, they were playing a similar type of Northern Soul, but we had our own records that were exclusive to Wigan Casino.
Among the dancers on the mighty floor of the Casino there was a pecking order.
These were the peculiarities of the Northern Soul scene.
It was in this early period that he saw the true passion for dancing that the Casino inspired.
People picked him up and he just carried-on dancing.
Although primarily a record-based scene, the Casino also played host to live performances by many of the greats of soul, like Jackie Wilson and Edwin Starr, while it also contributed to building the popularity of artists such as Tommy Hunt and Betty Wright.
Extending the name of the Casino into other genres, at times the club also wigan casino top 100 a regular Thursday punk night and Saturday rock session, featuring many of the big touring bands of the day.
The Casino developed in the formative years of British dance music and many of the mistakes it made have become lessons for future generations of dance entrepreneurs.
The dancing had a code of its own that was impenetrable to outsiders.
After that, people just sat down and cried their eyes out.
It was absolutely awful.
Those records were big wigan casino top 100 in context they were perfectly acceptable.
Situated in Tunstall, Stoke-on-Trent, Torch DJ Keith Minshull persuaded club owner Chris Burton to abandon his band-based promotions in favour of the new Northern Soul sounds.
The first nighter ran in March 1972.
The club was closed in March 1973.
With Ian Levine and Colin Curtis among the DJs shaping https://advokatof.ru/100/bet9ja-100-deposit-bonus.html direction of the club, the Mecca established a reputation for breaking records.
It was a new release.
Mecca floorshakers: Soul Self Satisfaction β€” Earl Jackson; Seven Day Lover β€” James Fountain; House For Sale β€” Millie Jackson.

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Dobie Gray performs the song Out on the Floor at the teenage fair in a scene from the movie Out of Sight.
Dobie Gray β€” Out on the Floor One of the many beauties of northern soul is its sheer unknowability.
Since it first emerged in the dancehalls of northern Wigan casino top 100 in the late 60s, it has existed in direct opposition to the very concept of greatest hits.
In 1966 Dobie Gray, a versatile old pro who was equally as comfortable singing country as cabaret, recorded a celebration of nocturnal kicks whose lyrics seemed to uncannily anticipate the northern soul scene.
Even the fairy-dust twinkle of its piano topline evokes the heart-racing amphetamine thrills of the all-nighter.
The perfect anthem for the movement.
One of the ironies of northern soul is that the modern dilettante has access to more information about the artists and records than even the most obsessive fan at the time, when the identities of highly localised dancefloor hits, sometimes associated continue reading just one venue, were jealously guarded by DJs who stuck plain white paper over the labels in order to prevent rivals from stealing their set.
The James Bond song was so nicknamed because its underlying melody bore a pronounced resemblance to the 007 gun-barrel theme.
Tellingly, Renzetti was a film buff who would later pick up an Oscar for his work on The Buddy Holly Story.
Indeed, a funkier recording by co-writer Jean Wells would later end up on an actual film soundtrack for 2014 YSL biopic.
It quickly became one of the most sought-after singles on the scene at one point, even a bootleg would set you back Β£50and is sufficiently iconic that a T-shirt bearing only its title and a mock-up of the gun barrel is available, no further explanation needed.
For years, mystery surrounded the identity of the band, thought to be named after 1958 slave rebellion drama Tamango.
A standout track on the Wigan Wigan casino top 100 Story compilation, itself as good a northern soul primer as any.
The Fascinations β€” Girls Are Out to Get You By the early 70s, northern soul had the power to turn little-known oldies into hit singles.
source Fascinations were a girl group whose original lineup included a pre-Motown ; Girls Are Out to Get You featured on piano, and was written bywho released it on his own Mayfield label in 1971.
Despite that impressive pedigree, it made little impact at the time.
However, its euphoric woo-oos and concise gone-in-120-seconds punch made it a floor-filler on the scene.
It was opportunistically re-released by Polydor subsidiary Mojo in 1971, propelling it into the UK Top 40 and prompting the Fascinations, who had disbanded two years earlier, to briefly reform for live performances.
Mike Post Coalition β€” Afternoon of the Rhino Mike Post is the composer of countless American TV themes, including The A-Team, The Rockford Files, Magnum PI and Hill Street Blues.
Northern soul was christened by London-based Blues and writer Dave Godin after a visit to the Twisted Wheel in Manchester, but many of its most popular tunes were not soul at all.
The scene was spectacularly omnivorous and utility-focused: as long as you could dance to it, nobody cared where a track came from.
After one of these biennial humiliations, however, something extraordinary happened.
The inspirational, life-affirming message of his 1972 single Ordinary Joe was a perfect choice for the occasion.
Its exquisitely wigan casino top 100, sophisticated arrangement also makes it perfect for the first β€” or last β€” section of any soul all-nighter.
Its stature has steadily grown over the years, and its place on the Express Your Soul compilation, curated by Bristolian dancer Levanna Wigan casino top 100 who leapt to fame when her unofficial video tois more than justified.
In many senses, the subculture anticipated the rave movement by two decades.
The typical all-nighter was fuelled by popping pills rather than swigging pints, facilitating hour upon hour of non-stop dancing.
As dawn broke over the Wigan Casino, and the time approached for dancers to grab their bowling bags, change out of their perspiration-drenched gear into fresh clothes, and think about bunking onto the milk train back to normality, the same three songs would herald the end of the all-nighter.
The famous Three Before Eight, which charted when released together as a commemorative EP, shared a common theme of the ebbing sands of time.
Written by Englishman John Rhys Eddins this top 100 scratch games safe Saxmundham, Suffolk and later covered by Kylie Minogue, this 1968 single was an elegant and poetic memento mori to live fully in the moment and be cognisant of the fleeting nature of existence.
Anything with a suitably emotional vocal or a suitably driving backbeat was ripe for plundering, no matter who the singer was.
Under My Thumb is a perfect instance of accidental soul.
It got lost in the noise of the 60s beat boom, and flopped.
Almost a decade later, it finally hit the charts when northern soul DJs discovered that wigan casino top 100 heartfelt delivery and insistent drum beat were perfect for the floor, and an opportunistic re-release from Pye Disco Demand pushed it into the Top 20 in 1974.
The single enjoyed a third life in the early 80s, when the Soul Supply label reissued it at a crucial moment.
The Wigan Casino had closed in 1981, and despite regular meets in Rotherham and Stafford for the staunchest keepers of the faith, there was a sense that the original movement had entered a decade-long slump.
However, a new generation, too young to have frequented the Casino themselves, were curious to find out about the scene that had inspired 80s pop heroes likeand.
He coaxed long-retired soul singers into re-recording their biggest tunes over cheap backing tracks for compilations on his Motor City label, then lip-synched even cheaper videos, shot in a hotel lobby, for a DVD.
However, there can be no disputing his importance to the development of northern soul.
One of his finest finds was Love Factory by Eloise Laws.
Stop Girl by 7 Dwarfs, picked up not long ago from the record stall at an https://advokatof.ru/100/spin-genie-100-free-spins.html for just Β£6, mainly out of curiosity piqued by that ungrammatical pluralisation, just happens to occupy that place.
The present-day dabbler, with no memories of sweat-soaked 70s Saturday nights, is freed from the shackles of nostalgia or historical accuracy, with no obligation wigan casino top 100 than taking a wild punt and seeing where it leads.
The knowledgeability of hardcore devotees wigan casino top 100 be daunting, but northern soul is too glorious to leave to trainspotters.
The fun lies in following your own path, and finding your own Stop Girl.

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The wigan casino top tunes Factory Records StoryUseful LinksSign in. 9 wigan casino top tunes Dec 2011 .. Part 3 – The daddy of all Northern Soul clubs was Wigan Casino, though, as this fine article by Chris Hunt says, it may not have been the ..Share on other sites


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